Your childhood fairy tales aren’t how you remember them.

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Coloring has come a long way in comics. From pastels to the incredibly detailed, shaded pages we browse through today, coloring plays an integral part in making comics look their best. Not to mention one slip up can throw die-hard fans into a frenzy.

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We know we shouldn’t judge a book by its cover, but who can help it with such fantastic art? When your comic sits next to dozens of others on a rack come New Comics Wednesday, you need an amazing cover to make it pop.

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A comic just wouldn’t be a comic without art. Pencils are as crucial to a comic book as good writing, but an astute reader knows how important inking is to the overall presentation, as well. The best talent can blend them not only to fit his own work, but also to bolster the comic’s mood and style.

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Writers shoulder a heavy burden: the life of a comic book and its characters. One slip could mean the untimely demise of a story to which readers are firmly attached. The following nominees, though, hold true to the spirit of the comics they write.

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There’s nothing like new, fresh talent to filter out the old and mundane. That’s exactly what new comic series—good or bad—bring to the table. Luckily, these Eisner nominees for Best New Series are shining examples of the next generation of comics.

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A series needs the strength of talented writers and artists in order to keep the comic book alive. With hard work, a solid reader base, and a little luck, you end up with a comic that keeps us coming back for more.

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Check out our review of Brian Wood’s Demo.

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We review The Vinyl Underground: Pretty Dead Things. Read on for our impressions

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It sits at the crossroads of reality, as it has since before time was measured. All who can find the House are welcome to enter. But not all who enter may leave.

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